This series wonders how we assimilate and erase tragedy through rhetorical conditioning, through screens, games, and reframed language.
Each painting in the series is titled after a phrase echoed across news cycles, headlines, and military briefings. The triptych Collateral Damage is composed in the form of an army rank insignia.
These works are executed using oil-based paintball guns, chosen as material, gesture, and medium of assimilation.
Gotcha questions its own celebratory statement and the hyperreality channels that blur those lines